A Naive Glance to Postmodern Architecture in 21st Century: Termination or Transformation?

Lerzan ARAS
2.594 1.199

Abstract


Too many years have past since Venturi’s Las Vegas analysis. Our taste, point of views, and of course our societal structure has changed. Gene Roddenberry’s cult TV series Star Trek which remained years on screen, turned out to be naive, and charming but also deficient for us. Communication channels have been increased. Technology’s rapid progress has surprised even itself. Lyotard’s analysis about postmodern conditions, or Hassan’s renewed descriptions about postmodernism should be moved to another dimension. As Hassan speaks, "... Postmodernism became more than an artistic style or historical trend or Zeitgeist, it is a way of reading all our signs under the mandate of misprision." (Hassan, 2003) For some critics, the postmodern architecture is about to come to a ‘cul de sac’ while we are experiencing the first quarter of the 21st century. But the matter for question is, whether the postmodern architecture is undergoing a transformation, or the point at issue is a termination. This study aims to evaluate postmodern architecture at this threshold after a short reminder of the past.


Keywords


radical postmodernism; cul de sac; critical architecture; Charles Jencks; integrative architecture

Full Text:

PDF (Türkçe)


DOI: http://dx.doi.org/10.17482/uujfe.69620

References


Brown, B. (2005). The Dark Wood of Postmodernity (Space, Faith, Allegory), Modern Language Association, 120 (3), 734-750.

Cathcart, M. (2001). Architectural profile: Charles Jencks, http://www.abc.net.au/rn/legacy/programs/atoday/stories/s248345.htm, (erişim tarihi: 27.03.2015).

Connah, R. (2006). An Unlikely Degree Zero?, Perspecta, Vol. 38, 12-26.

Foster, H. (1984). Postmodern Polemics, New German Critique, No.33, 67-78.

Griffiths, S. ve Holland C. ve Jacob, S. /FAT Grubu, (2011). FAT Projects, Manifesting Radical Post-Modernism, Architectural Design, 78-89.

Gutenschwager, G. (1996). Architecture in A Changing World: The New Rhetoric of Form, Journal of Architectural Education, Vol. 49, No. 4, 246-258.

Hassan, I. (2003). Beyond Postmodernism, Toward an Aesthetic of Trust, Journal of Theoretical Humanities, 8 (1), 3-11.

Holland, C. (2013). New Islington Manchester: Cardroom Estate http://www.earchitect. co.uk/manchester/new-islington-fat. ( erişim tarihi 14:01:2014).

Jameson, F. (1991). Postmodernism; or The Cultural Logic of Late Capitalism, Durham, Duke.

Jencks, C. (1995). The Architecture of the Jumping Universe, Academy Editions, Londra. Uludağ Üniversitesi Mühendislik Fakültesi Dergisi, Cilt 20, Sayı 2, 2015

Jencks, C. (2010). The Postmodern Reader, (What Then is Post-Modernism Önsözü ile), Wiley, Londra

Jencks, C. (2011 a). What is Radical Postmodernism, Architectural Design, 81 (5), 14-23.

Jencks, C. (2011 b). Contextual Counterpoint, Architectural Design, 81 (5), 62-67.

Martin, R. (2006 a). Architecture’s Image Problem: Have We Ever Be Postmodern, Grey Room, No. 22, 6-29.

Martin, R. (2006 b). The Last War: Architecture and Postmodernism, Again, New German Critique, No. 99, 63-82.

Martindale, K. (2014). Modernism Is No Longer The Answer, Architectural Review, 235:1404.

Martland, T.R. (1991). Post-Modernism: Or What’s Become of Us, Tarzan?, The Antioch Review, 49(4), 587-598.

Rocker, I. ( 2010). Analysing Peter Eisenman, Constructs, Yale Architecture, Sonbahar, 10-11.

19.Rybczynski, W. (2002). The Bilbao Effect, September, http://www.theatlantic.com/magazine/archive/2002/09/the-bilbao-effect/302582/, (erişim tarihi: 23.01.2014).

Somol, R. ve Whiting, S. (2002). Notes Around The Doppler Effect and Other Moods of Modernism, Perspecta, Vol. 33, 72-77.

Sykes, K. Edi. (2010). Constructing A New Agenda, Architectural Theory 1993-2009, Princeton Architectural Press, New York.

Thomas, B. (1997). Culture, Merchandise, or Just Light Entertainment? New Architecture at the Millenium, Journal of Architectural Education, 50 (4), 254-264.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.